All of them virtuoso talents, the Change is Gonna Come supergroup were never less than dazzling, technically speaking. The reason...
JoinedMay 9, 2018
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More an experience than a show, Blaas (Blow) crosses the divide between audience and performance several times over. If you have a...
Billed as ‘the poetry night for those who don’t usually like poetry’, Bang Said The Gun must be doing something right. It...
Gripped from the outset, the sell-out crowd surrendered willingly to Lankum’s enchantment. Four young Dubliners, Lankum combine originals with impeccably chosen and artfully...
Five performers move slowly, oddly, across a stage empty apart from a few metre-high balancing rods and a trapeze overhead....
Iain Sinclair’s latest book begins with a vignette of a vagrant ‘buddha’ staring vacantly ahead while the creatures of contemporary...
There’s no mistaking the humanism and idealism contained within Ceyda Tanc’s muscular choreography. This is bold, driving dance that highlights...
Woodland is an audio work that invites you to lay down in a pleasant area surrounded by trees and ferns....
First performed in 1962, Benjamin Britten’s War Requiem immediately made its mark as arguably the grandest and most outspoken anti-war...
How do you read a show like Problem in Brighton, written by this year’s guest festival director David Shrigley? Firstly,...
Pausing between batches of his short, spare piano compositions, Joep (pronounced ‘Yoop’) recounts his discovery of the ‘tuning war’ raging...
How do you make a show with a shoebox full of old wage packets? When you have an incredible collection...
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